Publications Repository
Selected publications of the author
Skupin Renata, Musical Orientalia Catalog: assumptions and goals
DOI: 10.5906/moc-01_assumpt_goa
—, About classifying musical orientalia
DOI: 10.5906/moc-02_classyf_moc
—, Orientalisms in Polish music of the 20th and 21st centuries: typologies and statistics
DOI: 10.5906/moc-03_Pol-orie_stat
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—, 'Un royaume différent' ('A Different Realm') — about 'Hurqualia' in the Context of the Musical Style of Giacinto Scelsi, „Musicology Today” 2007, t. IV, Anthropology – History – Analysis, p. 104–113.
—, Giacinto Scelsi — homo viator and his musical itinerary, „Interdisciplinary Studies in Musicology”, Vol. 12, ed. Maciej Jabłoński, Pietro Misuraca, Piotr Podlipniak, Poznań 2012, p. 127–148.
—, Representations of the Orient in Western Music: Methods of Music Analysis in Theory and Practice, in: Małgorzata Grajter (ed.), The Orient in Music — Music of the Orient, New Castle upon Tyne 2017, p. 1–12.
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To read the full-text of this research, you can request a copy directly from the author.
Skupin Renata, Orientalism in Tadeusz Z. Kassern’s Concerto for Voice and Orchestra, Op. 8, in: Musical Analysis. Historia — Theoria — Praxis, ed. by Anna Granat-Janki et al., vol. 3, Wydawnictwo Akademii Muzycznej we Wrocławiu, Wrocław 2014, p. 187–195.
—, Orientalism and Orientality in Alexandre Tansman’s Music, in: Homage to Alexandre Tansman (1897–1986), ed. by Anna Granat-Janki, Wydawnictwo Akademii Muzycznej we Wrocławiu, Wrocław 2019, p. 151–174.
—, Giacinto Scelsi’s Pfhat and the Great Liberation through Hearing, in: Musica movet : affectus, ludus, corpus, ed. by Milena Medić, Miloš Zatkalik, Denis Collins, Faculty of Music, Beograd 2019, p. 219–232.
—, Les haïkus de Bashō dans la musique : 7 Haiku de Włodzimierz Kotoński, in: Fécondité du haïku dans la création contemporaine. Actes du colloque international, 14 et 15 juin 2019, Université Sorbonne Nouvelle-Paris 3, coordonnés par Muriel Détrie et Dominique Chipot, Paris 2020, p. 91–103.
—, Turcicisms in Beethoven’s Symphony No. 9? A troubling exoticness and unconsummated symbols, in: Beethoven 9. Studies and Interpretations, ed. by Magdalena Chrenkoff, The Krzysztof Penderecki Academy of Music in Krakow, Kraków 2024, p. 109–131.
Skupin Renata, Musical Orientalia Catalog: assumptions and goals
DOI: 10.5906/moc-01_assumpt_goa
—, About classifying musical orientalia
DOI: 10.5906/moc-02_classyf_moc
—, Orientalisms in Polish music of the 20th and 21st centuries: typologies and statistics
DOI: 10.5906/moc-03_Pol-orie_stat
________________________________________________
—, 'Un royaume différent' ('A Different Realm') — about 'Hurqualia' in the Context of the Musical Style of Giacinto Scelsi, „Musicology Today” 2007, t. IV, Anthropology – History – Analysis, p. 104–113.
—, Giacinto Scelsi — homo viator and his musical itinerary, „Interdisciplinary Studies in Musicology”, Vol. 12, ed. Maciej Jabłoński, Pietro Misuraca, Piotr Podlipniak, Poznań 2012, p. 127–148.
—, Representations of the Orient in Western Music: Methods of Music Analysis in Theory and Practice, in: Małgorzata Grajter (ed.), The Orient in Music — Music of the Orient, New Castle upon Tyne 2017, p. 1–12.
________________________________________________
To read the full-text of this research, you can request a copy directly from the author.
Skupin Renata, Orientalism in Tadeusz Z. Kassern’s Concerto for Voice and Orchestra, Op. 8, in: Musical Analysis. Historia — Theoria — Praxis, ed. by Anna Granat-Janki et al., vol. 3, Wydawnictwo Akademii Muzycznej we Wrocławiu, Wrocław 2014, p. 187–195.
—, Orientalism and Orientality in Alexandre Tansman’s Music, in: Homage to Alexandre Tansman (1897–1986), ed. by Anna Granat-Janki, Wydawnictwo Akademii Muzycznej we Wrocławiu, Wrocław 2019, p. 151–174.
—, Giacinto Scelsi’s Pfhat and the Great Liberation through Hearing, in: Musica movet : affectus, ludus, corpus, ed. by Milena Medić, Miloš Zatkalik, Denis Collins, Faculty of Music, Beograd 2019, p. 219–232.
—, Les haïkus de Bashō dans la musique : 7 Haiku de Włodzimierz Kotoński, in: Fécondité du haïku dans la création contemporaine. Actes du colloque international, 14 et 15 juin 2019, Université Sorbonne Nouvelle-Paris 3, coordonnés par Muriel Détrie et Dominique Chipot, Paris 2020, p. 91–103.
—, Turcicisms in Beethoven’s Symphony No. 9? A troubling exoticness and unconsummated symbols, in: Beethoven 9. Studies and Interpretations, ed. by Magdalena Chrenkoff, The Krzysztof Penderecki Academy of Music in Krakow, Kraków 2024, p. 109–131.